Author Interview: Marissa Doyle

August 9, 2012

Please join me in welcoming Marissa Doyle, author of Bewitching Season, Betraying Season, and the just released Courtship & Curses. Welcome to Damsels in Regress, Marissa!

1. Sophie has every reason to want to shy away from the uneducated views and comments that society has of her disability, yet she’s quite the feisty character at times. How did her story come about?

I knew I wanted to write a story set in the Regency, with Lady Parthenope, the mother of Persy and Pen in Bewitching Season, as one of the characters. Based on the timing (Persy and Pen were born in 1819), I knew I could set it at the tail end of the Napoleonic Wars…and it just sort of sprouted from there.  Sophie’s character popped into my head while I was taking a shower, which is where a lot of good book ideas are hatched and plot problems solved…and as I was drying off, the fact of Sophie’s illness and disability was just “there” in my head. As I say in the author’s note in Courtship and Curses, we had a dear family friend who’d had polio as a child; I based Sophie’s difficulties on a lot of what I remember about her physical issues.

2. Parthenope is not a name I’ve ever run across before your books. Where did you find it and what kind of research did you do?

Isn’t it just a wonderfully dreadful name? It’s from Greek mythology, specifically the Odyssey—she was one of the sirens Odysseus encountered on his long journey home. The twins’ father James, himself a classicist, wanted the girls to have classical names like their mother…where poor Parthenope got it from, she was never able to ascertain as her father wouldn’t explain why he’d chosen it. But as he’d been imbibing freely while hiding in his library when Parthenope’s mother was in labor, there might be a clue there. 🙂 As to where I got it…I have no idea! My head is stuffed full of weird things and factoids like that. For research on the whole, I was quite delighted to add substantially to my library of early 19th century research materials (thank you, Abebooks!) I did lots of reading on London society, of course, but also on French and Napoleonic history as well, with forays into things like 19th century amateur botany and parakeet species.

3. I so enjoyed the characters traveling to Brussels! (I’m a huge Belgium fan.) Was it merely done to put them near the Duke of Wellington or were there other reasons?

Well, it made sense for Sophie’s father, as a member of the office that provided war matériel for the British army, to be on the ground in Brussels to consult with Wellington…and I desperately wanted to include Brussels in the early summer of 1815 in the book, just because it was soooo interesting a place—definitely Party Central of Europe at the time. As soon as Napoleon had been defeated in 1814, thousands of well-to-do British flooded over to the Continent to go shopping in Paris (which they hadn’t been able to do since the Peace of Amiens in 1802) and travel to Italy…and also, thousands of not-so-well-to-do British families of noble birth but slender means flooded there as well, as it was cheaper to live there than in England.

So Brussels was full of British, even after Napoleon escaped Elba and returned to power. In fact, even more came over after that because they thought it would be exciting to watch what would happen when he marched on Brussels, as it was expected he would (and obviously did). It’s hard to imagine military tourism in these days, but no one thought it all that strange a thing to do then.

4. Wow, you’ve taught me something already! I was happy to see a member of the Leland family make an appearance in this book. Will you tell James and Parthenope’s story soon?

Hmm…probably not. Happily-ever-afters don’t necessarily make for the most exciting fiction…and James and Parthenope will lead a quietly happy life…or at least as quiet as anything can be in Parthenope’s proximity. I do have to say that it was fun to take the character I’d created back in Bewitching Season, and extrapolate her back to her youth. Charles, however…that may be another story, but I’m not ready to say much about that yet.

5. On a personal note, what kind of books did you read when you were a teenager?

Heh, I was just discussing this over on LibraryThing…I was a total Victoria Holt fanatic, and was thrilled when I discovered that she’d also written historical fiction as Jean Plaidy. I think she’s why I always write a bit of a mystery and peril in my stories…except I prefer to have my heroines do the saving of the day, and not leave it to the guys. I also liked science fiction and Stephen King. Curiously, I didn’t discover Jane Austen ’til very late in my teens, but I think she’s best appreciated by adults anyway.

6. What are among your favorite historical fantasy novels?

Jonathan Strange and Mr. Norrell by Susanna Clarke is my favorite, hands down—it’s so richly detailed, slyly humorous, and wonderfully written. I’m a total fan girl over Caroline Stevermer’s books A College of Magics and A Scholar of Magics, and also greatly enjoy Patricia Wrede’s books like the Sorcery and Cecelia series (co-written with Stevermer) and her newer Frontier Magic series. I’d love to see more historical fantasy out there…which, I suppose, is why I write them.  🙂

7. What are you working on now?

I’m a little bit between books right now as I’m out on submission with something new and differentthink America in the early twentieth century (gasp!) But it’s still historical fantasy…I fervently hope that it will see the light of day soon.

I hope so, too! Keep us posted and thanks for taking the time to chat with us today!
To find out more about Marissa and her books, check out her website and blog


Author Interview: Augusta Scattergood

May 24, 2012

Everyone please welcome Augusta Scattergood!

1. Hello Augusta. Welcome, and thank you for taking the time to stop by Damsels in Regress to talk with us. I love a good historical, but I have to admit I read very few that are set in the south during the 1960s. I wasn’t sure what to expect as I started reading, but I was pulled in from the start and thoroughly enjoyed Glory’s story. Where did you first get the idea to write this novel?

The easy answer is that I was “present at the creation.” I grew up during this time period, in a small town in Mississippi, and I’ve always been fascinated with how little we knew or understood until after some of these historic events took place.

So in some ways, I’ve been thinking about the story for a long time. But I actually started the version that’s closest to my finished novel after hearing Ruby Bridges speak at the New Jersey school where I was working. Having integrated the New Orleans public schools as a very young child, she really inspired me and made me think about my own childhood. After that, I turned a (potentially boring) short story about a wedding planner into what became GLORY BE. I’m so glad I did.

2. What type of research did you do for this novel? How much were you able to pull on your own memories or experiences to write Glory Be?

As a former school and reference librarian, I never considered writing purely from my own memories. Of course, it helped that I once actually sported a beehive hair-do, wore really short skirts, and loved Elvis.

But for all the true history behind the story, I read books, newspapers, and the oral histories I found on the Library of Congress and university library websites. I also spent a lot of time in actual libraries. In fact, I do much of my serious writing in a study room of my local library. All those books, and no distractions!

3. Glory is spunky and unafraid to stick her nose where it doesn’t always belong. I love this about her. Did you always plan for her to be like that or did she grow and change as your novel did?

Great question. I think she always had spunk. But she sure did change and grow. As the story evolved, Glory stepped up to the plate. I worked to make her less like me and my friends and more the hero of the story. I think Glory is the 11-year-old I wish I’d been.

4. What do you hope your young readers take away from your novel, particularly in terms of the topic of segregation?

One of the most gratifying things about visiting schools and talking to young readers is to hear the utter disbelief that the situation I describe in GLORY BE could have happened. Close a swimming pool? A park? A school? Just because certain powerful people don’t think they need to be inclusive? It’s mostly beyond today’s kids’ comprehension.

They have a lot of questions about what it was like to live in the South of the early 60s. I don’t know every answer, but I hope I can make them curious to discover more. I always end my school visit sessions with the suggestion that they ask their grandparents, parents, older friends and family about growing up during the Civil Rights era.

5. I know I get attached to certain scenes in my novels that end up getting cut. Was there any one particular scene that you especially loved but didn’t make it into the final novel?

There was one scene involving Glory and Robbie, Jesslyn’s boyfriend, and some particularly poignant exchanges— postcards, worries about a parent. I totally loved my writing in the scene. Some might say over-loved. But I’ve saved it all, and I will continue to try to slip it in somewhere, one of these days, in one of my books!

6. What are some of your favorite historical novels? Do you have any that are set during the same time period of Glory Be that you would recommend?

I really enjoyed ONE CRAZY SUMMER by Rita Williams-Garcia. Talk about getting the details right! That book just tickled me with the funny characters, and it made my heart stop with the emotion and strong storytelling.

Two recent adult books set in the 60s in the South that I felt were very thought-provoking were QUEEN OF PALMYRA and THE DRY GRASS OF AUGUST.

7. What’s next writing wise for you? Another historical? Or something completely different?

Middle-grade and historical –or at least kind of historical— that’s the way my brain operates. At least for now.

8. And lastly, I’m always curious to know what other authors are reading. What books are on your to read list?

How much time do you have?

I read constantly. I seem to be reading a ton of middle-grade novels. I scored the ARCs of Barbara O’Connor’s October book, ON THE ROAD TO MR. MINEO’S and Trent Reedy’s new book, STEALING AIR. I just finished WONDER which could be one of my all-time favorites. I’m reading Natalie Standiford’s new book, and I’m trying to get my hands on THE RAVEN BOYS by Maggie Stiefvater because I think we killed at our recent Texas Library Association/ Readers Theater group performance of our southern books.

I’d better stop there, before you run out of room and word count and cut me off mid-sentence.

Thank you so much for taking the time to talk with the Damsels today! We really appreciate it!

I totally enjoyed talking to you. Thanks for having me!


Also, take a moment to check out Scholastic’s Mother Daughter Book Club. Glory Be is Scholastic’s first book! They’re offering a free Skype visit with the author! And there are some great discussion questions and a recipe that was adapted from the book!

Be sure to take a moment to check out Augusta Scattergood’s wonderful blog and webpage

Author Interview: Shelley Adina

April 19, 2012

Please join me in welcoming Shelley Adina, the prolific author of the Magnificent Devices series and many other books for both young adults and adults. Welcome to Damsels in Regress, Shelley!

Thank you—and what fun to be here!

1. Lady Claire Trevelyan has become quite a strong character by the second book, Her Own Devices. How did her story come about?
The “fish out of water” story has always been interesting to me, probably because I felt that way every day in high school. So when the urge to write steampunk finally got too strong to ignore, I thought, “What’s the worst kind of ‘out of water’ experience a young Victorian lady could have?” Well, if she’s brought up to wealth and privilege, the absolute worst would be homelessness. And then I got an image of a girl getting mugged outside a Whitechapel train station … and that was the flash point. The story just came.

2. Tell us about your interest in steampunk, including what kind of research you did.

I’ve been a fan of steampunk since I was a kid watching “The Wild, Wild West” on TV in the sixties. The research is absolutely the most fun part. I mean, in how many other careers can you go to Comic Con or Fanime and have it be tax deductible? Here in Silicon Valley one of the coolest events of the year is the Maker Faire, where “makers,” or DIY folks, come together with all the devices, clothes, processes and so on that they’ve invented. Just looking at what other people have created can spur your imagination to go one step further and put that cool raygun in a scene.

Of course, the world you build also has to be grounded in what people know, so my 1889 London features real streets and bridges, real neighborhoods, and real fashion.

3. I know you’re an accomplished seamstress. Did you make any of the costumes that appear in the books?

One of my favorite things about writing steampunk is the ability to go to booksignings and speaking events in full costume. I’ll be teaching at Clockwork Alchemy 2012 in May, and you can bet I’ll be dressed to the teeth. To answer the question, though … there is one costume I describe that I have the pattern, fabric, and trims for. It’s just a matter of carving out the time to make it before May.

4. How many books will there be in the Magnificent Devices series?

My original plan was for three books about Lady Claire’s adventures, but then I was browsing on Deviant Art and saw a picture of a girl who is a dead ringer for the grown-up version of one of the Mopsies (10-year-old twin orphan girls in Lady of Devices). So it seems clear that Lizzie and Maggie are going to become teenagers and have their own stories. And then there’s Peony Churchill, who is running loose in the Canadas with dreams of being an aviatrix … that sounds like three more books to me, don’t you agree?

5. Absolutely! When will the next book be available?

I’m hoping that book 3, Magnificent Devices, will be available in September. The artist who does my covers,, sent me an image for book 3 that was just an experiment she wanted to show me … and it was so spot-on perfect that I bought it on the spot. Be prepared to swoon.

6. What kind of novels did you read as a teenager? Any favorites?

I come from Canada, which back then was heavily influenced by British writers. So I grew up reading Elizabeth Goudge, Enid Blyton, and Lucy Maud Montgomery, all of whose novels feature strong, interesting female leads who are appropriate for their time period. I think those fictional girls were Lady Claire’s literary ancestors.

7. What are you working on now?

I’m working on the last of my contracted novels for Hachette, which are Amish women’s fiction written under my Adina Senft pseudonym. Called the Amish Quilt trilogy, these books are about three Amish women who are working on a quilt together, and working through life issues with each other’s help. The first one, The Wounded Heart, is out now, and the second, The Hidden Life, is coming in June. The Tempted Soul will be out in March 2013.

Sounds great. Thanks for chatting with us!

Thanks so much for letting me come over—it was fun!

To find out more about Shelley and her books, check out the following websites. – Magnificent Devices – Amish Quilt – Moonshell Books & Editorial
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Interview: Jennifer L. Holm

March 21, 2012

We’ve had some talented, accomplished, and well-known authors on Damsels in Regress in the past three years, but today’s interview is definitely a sparkly jewel in our crown.  Please welcome three-time Newbery Honor winner, and author of Monday’s reviewed book, The Trouble with May Amelia, Jennifer L. Holm!

1.  Our Only May Amelia was a great story whose characters definitely left room for more stories, but the book as a whole seemed to stand on its own.  Did you always intend to write a sequel, or did The Trouble with May Amelia come to you later?

I hadn’t initially planned to write a sequel. And then a few years after it was published, I came around and decided I would write a companion novel from the point of view of her best brother, Wilbert. But when I got down to writing it, I couldn’t get May Amelia’s voice out of my head (she’s bossy that way.) So I just gave in.

2.  May Amelia has such a distinct voice and the writing style is unusual (the dialogue not being in quotations, the use of randomly capitalized words for emphasis).  Was it hard to get back into that voice after writing several other books, or did it feel comfortable from the beginning?

It was strangely comfortable, which isn’t always the case. Also, in a weird way, I missed her. My mom gave me this t-shirt that says “Writer’s block is when your imaginary friends won’t talk back to you.” I think this is perfectly true. I like it when I can hold a conversation with my characters. (Now that sounded a little strange … but, hey, writers are a strange bunch.)

3.  You’ve said that these books were based on family history.  How much is factual and what is from your imagination?

If the book was a cake recipe, I would say the batter was my imagination, the frosting was the historical details, and the icing roses were the facts. There was no May Amelia in real life, of course. Although her name sort of lives on in my daughter (we named her Millie May).

4.  What sort of research did you do for both of May Amelia’s stories?  What was one interesting piece of information that you weren’t able to fit in?

My research involved a lot of oral family histories, as well as general research about the area and the Finnish immigrant experience. If anything, it brought me a little closer to my Finnish heritage, especially the cooking. I can cook a mean laxloda now (a creamy salmon and potato casserole).

Also, I’m a sucker for local historical societies—I adore them. I love crawling through dusty collections and hanging out with archivists and historians. When I went to college (Dickinson College in Carlisle, PA), I worked in the Archive in the library and it ruined me for life.

So many bits didn’t fit in, and that’s always disappointing. But ultimately, the history has to push the story forward.

5.  How is the research for May Amelia’s stories easier, harder, or just different than the research you’ve done for your other historical novels?

It may have been a little easier because my father helped me a lot, as did my aunts (so I had first-hand stories). They had long memories for nickel knowledge. “Nickel knowledge” was what my dad called little historical details, like how it felt on a cold night when his father would lay his coat on top of him in bed to keep him warm when he was a child.

6.  May Amelia’s claim to fame is that she’s the only girl in her family and one of the only ones in her whole region.  She’s not your only character to be the only girl in a family full of boys, either.  Does this come from your own family experiences or is it just a situation you enjoy exploring?

Well, I guess you could say I have plenty of experience. I’m one of five children (and the only girl.)

7.  May Amelia calls Wilbert her “best brother.”  Which of May Amelia’s seven brothers was your favorite?

Matti (the eldest brother) was my favorite in the first book. But in Trouble, it was Kaarlo— which surprised me as much as anybody else. It’s easy to be the Golden Child (like big brother Matti) and go away and impress people. It’s much harder to be the Good Child who stays behind and takes care of a family when it falls apart.

8.  Are there any plans to explore other aspects of your family history or other time periods in future books?  Or are there any time periods you’ve already written in that you want to revisit?

I’m starting to feel the tug to go back to Key West and revisit Turtle and the Diaper Gang, so who knows? (Besides, who wouldn’t want an excuse to go back to Key West?)

Thanks again, Jenni!

No, thank you!

Author Interview: Myra McEntire

February 9, 2012

Everyone please welcome Myra McEntire, author of Hourglass, a young adult novel about a seventeen-year old girl who sees people who shouldn’t be there. These apparitions have haunted her since her parents’ death, and all she wants is for them to go away so she can be normal. In a last ditch effort, her brother brings in a consultant, Michael Weaver, a man who might change not only her future, but possibly her past.

1. I love the entire world and the logic behind it that you created. I love the fact that your novel is a contemporary time travel. You don’t see that often. It was a really unique way to look at time travel. How did you initially get the idea for this novel?

Thank you! It started as a prompt for a writing group. I wrote up to the part where Em goes into her room and sees Jack, and asks herself how Jack knew her name. I was working on something else, but I couldn’t stop wondering WHY DID HE KNOW HER NAME? I came back to the story, and I knew I didn’t want him to be a ghost, so that’s how the rip happened. That led to the time travel.

2. How hard was it to play by the rules you’d created? Did they evolve as you wrote, or did you always know how the time travel would work and made your story to fit with those rules?

The rules were always pretty close to they are now. As I learned more about time travel and did research on time slips, I saw how I wanted the story to work. I have a ton of research, and looking back, it’s a little wacky how the trail of research fits together.

3. I really liked Emerson. She was a strong character but she still had her flaws as well as fears to overcome. As a reader I really got attached to her. How hard/easy was she to write? What was the biggest challenge you faced writing her?

Aw, thank you for saying that, and for seeing her the way I wanted people to! She was easy to write in a way because I explored her character as I drafted. I wasn’t on a deadline, wasn’t agented, and I was basically playing! So she evolved slowly, and I always knew what she ultimately wanted. (And we have the same sassy mouth.) The biggest challenge was keeping her from throwing herself at Michael. Oh, the deleted kissing scenes.

4. I know there’s a sequel coming. Can you tell us anything about it?

Timepiece is out June 12, and it’s from Kaleb’s point of view. I knew he would be next, because he had a lot to say as I was writing Emerson’s story. I love how many readers grew attached to him. Kaleb was never an option for Emerson, just a temptation that confirmed what she really wanted. Two people that broken as a couple would be a complete train wreck! He has a lot in store for him in Timepiece, and they’ll all deal with Em’s choice to break the rules at the end of Hourglass. The rips start changing …….. 😀

5. Do you have a favorite time travel novel? Did any time travel in particular inspire you to write your own?

I am a really big Doctor Who fan, and I read Diana Gabaldon’s books when I was younger. I really didn’t intend to write a time travel. It was kind of accidental!

6. And finally, because we’re always interested to hear what others are reading, what’s currently on your to read list?

I am reading A Girl of Fire and Thorns by Rae Carson, Everneath by Brodi Ashton, and I have Hemlock by Kathleen Peacock in the pipeline. I’m also reading a bio of Catherine the Great, and The War of Art, which is an amazing book on craft.

Thank you Myra! I look forward to Timepiece!

Interview: Carolyn Meyer

November 30, 2011

Please help us welcome Carolyn Meyer, author of over fifty novels, including the Young Royals series. Hello, Carolyn. Thank you for chatting with us today.

1. You’ve written a number of historical novels. How did you decide to write one about Cleopatra?

It’s always fun to come up with a fascinating female character, particularly one who lived in a time period I’d never written about before, and Cleopatra was a natural. The challenge was to develop a narrative based on very little real data. And I had a hard time getting Elizabeth Taylor out of my head…..

2. Me too! What are the pros and cons of writing about a real historic person?

The down side is that there may not be much to go on; we don’t really know what Cleopatra looked like, exactly when she was born, who her mother was, or if she had two sisters or three. There are huge holes in her story, most of them filled with legend. The up side, then, is that there isn’t much to go on, and so I was free to fill in those huge holes in her story with my own creation.

3. I’ve noticed that you vary between present tense and past tense in many of your stories. Why did you use only present tense in Cleopatra Confesses?

It’s a matter of voice, and I fiddled around with it for a long time trying to get a feel for how I wanted her to sound; present vs. past tense was part of that—it just felt right for the story I wanted to tell. One of the big debates I had with my editor was the use of contractions; she opposed it, and I felt it was the best way to show informal speech with Cleopatra’s sisters, friends, and maids. I have no idea how she might have spoken to them in ancient Greek, but I’m pretty sure it would have been different from the way she addressed her father, for example.

4. What kind of research did you do?

Short answer: lots! Reading not only about Cleopatra, but about culture of the period—food, music, dress (or lack of it—there was a lot of nudity), how the calendar worked, etc.  I did visit Egypt and went on a boat trip down the Nile, but I’m pretty sure our boat was in no way like the floating palace in which Cleopatra traveled.

5. You didn’t dramatize Cleopatra’s adult relationship with Marcus Antonius like you did with Caesar. Was this mostly because of book-length constraints?

When the book was in early draft, the decision was made to focus on Cleopatra’s early life, ending the narrative before the birth of Caesar’s child. Marcus Antonius didn’t come into her story until much later. Many older readers who are familiar with the story of her life with Marcus have expressed disappointment, and in fact I have been roundly criticized for “stopping too soon.” Given the age of my usual readers, I think it was the right decision. What I’d REALLY like to do is to write a sequel aimed at those older readers and covering that torrid love story. Maybe it will happen.

6. Yes, I think paying attention to the age of your readers is important. What were your favorite books as a teenager?

I don’t remember—isn’t that awful? I had a strong liking for the Uncle Wiggly books when I was very young, but I’m pretty sure I had outgrown them by the time I was a teenager. I probably read a lot of trash. It didn’t seem to hurt me.

7. What are you working on now?

VICTORIA REBELS is in the editorial process right now. I’m pleased to have uncovered a feisty young girl in those decades before Victoria became a sour-looking old woman, and the villainous man who was always hanging around her mother and making Vicky’s life miserable.

Sounds great! Thanks so much for visiting with us! For more information on Carolyn and her books, visit Don’t forget to stop by on Friday for a chance to win a copy of Cleopatra Confesses.

Interview: Kiki Hamilton

November 2, 2011

Please welcome Kiki Hamilton, author of The Faerie Ring and fellow Seattle-area resident, to Damsels in Regress!

1.  Historical fantasy authors always seem to do double-duty–they have to build both their historical world and their fantasy world (and make them work together).  Which came first and/or easiest to you–the faeries and their world, or the human world of Victorian London?

I think Victorian London was a bit easier because there are tons of resources to reference when creating that world. The Otherworld, on the other hand, is more nebulous and undefined –which makes it just that much more fun to write.  I started with the foundation of the well-known Seelie and UnSeelie courts and then made up my own world from there.

2.  What sort of research did you do for the historical elements?

I used the internet, which has an amazing amount of data on just about anything, and I used several reference books.

Did you get to make a trip to London or were you drawing on past visits or other research methods?

When I wrote the story I had never been to London and actually didn’t know very much about the City.  It was very fortuitous that I set Tiki living in Charing Cross, which is the true heart of London and the point from which all distances are measured, even to this day.  After I sold the book I did have a chance to go to London and visit all the places in THE FAERIE RING.  It was amazing and surreal and the best trip ever!

3.  Though most of the story is from Tiki’s viewpoint, there are several scenes from Prince Leo’s.  What were some of the differences, challenges, or pleasures of writing from a male point of view?

I can’t say that I thought of it as writing from a male or female POV but more from a different character’s POV.  Leo comes from such a completely different world than Tiki it was fun to switch hats and see events from his perspective.    How he has grown up, how he lives influences his reactions and actions so the challenge comes more from being able to stand in his shoes and then switch and see life from the desperate straits of a pickpocket struggling to find enough food to survive. I thought the juxtaposition of their lives provided an interesting contrast.

4.  What influenced your portrayal of the faeries and their world?

I wanted to create my own faerie world. I’ve read some stories where I just didn’t like the world that had been created and that was really the impetus to write this
book:  To write what I wanted to read.

Were there myths or contemporary stories you drew on and any you sought to turn on their heads?

I was one of the many who thought a faerie ring was a circle of mushrooms in the grass. I loved using the motif of the ring throughout the story and making it something completely different in more than one way.

5.  Since this is your first book, could you describe your writing and publication journey?

It is hard to get a book published! I have rejection letters just like everybody else. But you can never give up!!  I kept working at my craft, taking classes, joining critique groups, reading other work, practicing, practicing, practicing and I was lucky enough to get an agent. It took her about nine months to sell THE FAERIE RING.

6.  Did you always intend Tiki’s story to cover multiple books or did it just grow?

When I started writing THE FAERIE RING I was just telling a story. But what I found when I got to the end was that I had just scratched the surface of the true story.

Can you give us a hint of when the others will appear and what’s in store for the next book?

At this point I don’t have a release schedule, but I’m going to do everything I can to have book 2, THE TORN WING, out in Fall 2012.  I won’t give away any spoilers but I can tell you that Tiki spends a lot more time in the Otherworld and new characters are introduced that definitely
complicate things.

Thank you, Kiki, and readers, be sure to enter our contest on Friday!